August 24, 2009
Ryan's Song
His name was
Ryan, and he was not the most popular guy in the group. He was a big
country boy with big farmer arms and a big farmer face, the kind of kid
some people might call a "bumpkin." On this particular day he was
outnumbered nine to one by street smart city kids.
We were sitting in a circle on a dimly lit stage in the maximum-security
WJ Maxey Boys Training School for incarcerated young men, working on a
collaborative song about a guy who is, coincidentally, being released
after serving time in a maximum-security facility.
This was one of the first Lost Voices sessions ever, and Josh White, Jr.
and I were figuring out how we might translate the thoughts and poetry
of these troubled kids into original folk and blues music. The process
was working well, but it was intense almost beyond belief.
We were taking a break to catch our breath when Ryan spoke up, "I wrote
a poem in my room last night. It's about this one time when my uncle
took me fishing. Do you want to hear it?" We did. He began to read.
It's early morning, down at the lake
Me and my fishing gear
All of my worries, and all of my cares
Just seem to disappear.
Talking 'bout a young boy's dream
Walking by the side of a stream
Thinking about the good times
That's good fishing, all the time.
As Ryan read, I could hear those words bouncing along in a happy John
Denver kind of song. Key of D for sure. I started playing it and a smile
lit up Ryan's face. Josh joined in with harmony when we got to the
chorus, and Ryan's grin went nuclear.
At the end of the program there was a concert, in which the boys went on
stage with us to perform the songs we had written. As the concert
approached Josh and I asked Ryan if he wanted us to sing his song for
him, or if he was willing to sing it himself. We like to challenge the
kids, but we try to be careful not to push them into doing anything they
are not comfortable with. "I want to sing it myself," he said, "Maybe
with a little help from you and Josh!"
And then came the moment in the concert when I introduced Ryan and
invited him up to the microphone. There was a good-sized audience,
several hundred people. Virtually every kid in the facility was there,
plus most of the teachers, the staff, and a bunch of VIP strangers. The
spotlights were just bright enough to make us want to squint, but not
bright enough to hide all those people.
Ryan's face was frozen in a mask of dread as he stepped forward and I
strummed the pick-up chords. I learned several weeks after the fact that
in that moment he was dealing with a lot more than simple performance
jitters.
It
seems that a number of the guys who did not care too much for country
boys, especially bumpkins named "Ryan," had promised to "tear him up" if
he tried to perform.
But still Ryan stepped forward.
When he started to sing, fear had such a stranglehold on his throat that
the words were just barely able to squeeze past vocal chords stretched
tight with terror.
But still,
Ryan started to sing.
When we got to the chorus, the audience began to clap along – a few of
them at first, then more, and finally the whole room, clapping and
stomping in time. Ryan's paralysis dissolved, and his voice got stronger
as he sang verse after verse about that magic morning when he went down
to the lake and caught himself a Smallmouth bass.
And then we found ourselves at the end of the song. Ryan stood in the
center of the stage grinning that big old country boy grin as the
audience – including the anti-bumpkin contingent – gave him and his song
a standing ovation.
Talk about a young boy's dream.
What I've
Learned So Far...
by Mike Ball is a syndicated feature distributed exclusively by North
Star Writers Group. If you enjoy this work, please contact your
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Copyright ©2009
Michael Ball. Distributed exclusively by North Star Writers Group.
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