February
26, 2007
Oscars:
Well-Bookended Boredom
The chances
of my stomaching over half of the 79th Academy Award ceremony
would have been infinitesimally small had I not realized that, although
this evening will always be played up as some sort of celebration of the
immortals, a movie fan like myself is allowed to be at least a little
curious. And perhaps more to the point, I have inexplicably come to
consider myself one of the important critics of our time, and I would be
remiss to let an evening surrounded by such hullabaloo go without some
sort of review.
First and
foremost, I thought Ellen DeGeneres did a pretty good job. She stuck to
her normal shtick – pleasant, silly, humble, and not trying too hard –
which works well for an evening that is not supposed to be about the
host. I liked the way she interacted with the nominees, probably because
she wasn’t trying so incredibly hard to get that “She said what?”
reaction from the audience. She was the kind of funny that you chuckle
at, not the kind where you feel obligated to laugh because something
sophisticated or obscure was just said that you need to respond to in
order to save face in front of your friends. Perhaps the best way of
putting it is that she managed to get out of the way of the momentum of
the evening.
The classy
moment of the evening goes to Alan Arkin, who placed his Oscar on the
ground and gave what seemed like sincere credit to the rest of the cast.
It was a refreshing alternative to thrusting a gold plated Ken doll into
the air which represents who-knows-what, and instead drawing attention
to the ones without whom, he would have never been able to act as
effectively as he did.
The best
observation of the evening goes to my wife, who astutely pointed out
that the most inconvenient truth is the appearance of Al Gore’s third
chin. That said, the whole
play-him-off-right-before-he-announces-his-decision-to-run-for-president
bit was pretty funny. Then again, having been forced to listen to the
man talk for more than six and a half seconds about anything remotely
serious reminded me why, no matter how insightful or compelling his
ideas may be, I always catch myself wishing someone would cover his
mouth with an ether-soaked washcloth. Does anyone else find him as
irksome as I do?
The song
that Jack Black, Will Ferrell and John Reilly sang was hilarious.
Unfortunately, this brings me to the award for the joke that just rotted
before our very eyes. I’m referring to jokes about people who’ve never
won an Oscar, be they Will Ferrell, Jack Black or even George Lucas.
They’re beginning to lose their zing. We get it, not every great
entertainer wins an Oscar. Just cash your bajillion dollar checks and
get over it.
Most people
have heard Jennifer Hudson’s story about how she was noticed during her
losing attempt in “American Idol” and a year later wins an Oscar. I was
a little sick of hearing it, but that said, I found her acceptance
speech quite moving. It’s nice to see someone who looks and feels like a
normal person who really has no idea how to handle such a unique
situation. Think about it. She goes from a complete unknown to a nearly
famous pop singer to an Oscar-winning actress. As Cypher said in The
Matrix, “What do you say to something like that?” Jennifer Hudson
obviously had no idea, and I was absolutely charmed.
Perhaps the
most unintentionally funny moment of the evening was when Helen Mirren
introduced, “Borat:
Cultural Learnings of America for Make Benefit Glorious Nation of
Kazakhstan,” which I still can’t say without giggling. This is why the
English will always have a comic edge over Americans. Anything strange
or even remotely crude simply sounds funnier with a British accent.
Fortunately, whatever kudos I credit to the unintentionally funny, now
Oscar-winning actress, I believe are nullified by her emphatic
speech-ending comment, “I give you the Queen!” which easily won her the
award for the most awkward moment of the night. I, along with the other
three people in my living room, just kind of sat there, a bit stunned,
thinking, “I know she wishes she had that one back.”
The most
nerve-racking segment of the night goes to Tom Cruise, who we were all
afraid would start doing cartwheels around the microphone stand. Unlike
many people, I have not yet completely sold him down the river, and am
really wishing he makes some sort of comeback. I actually verbalized
this sentiment, to which my wife responded, “You mean a gay-back.” This
didn’t come close to competing with her earlier comment about Al Gore,
but it did come uncomfortably close to “the queen’s” awkward moment of
the night. (To the under-gossipped, a lot of people vehemently maintain
that Tom Cruise is gay, and would find nothing more gratifying than his
coming out of the closet, hence the newly-coined phrase, “gay-back”.)
Finally,
the make-up call of the night goes to Martin Scorsese, who inconceivably
had yet to win his Oscar, despite Raging Bull, Taxi Driver, The Color
of Money, The Last Temptation of Christ, Goodfellas, Casino, Gangs of
New York and The Aviator – just a few of the many great
movies he’s made. Whether or not the consensus really is that he
deserved Oscars both for Best Picture and Best Director, most would
agree that The Illustrious Academy owed him a couple. Either way, I find
that Oscar nominations are a far more reliable sign of status than the
actual Oscars. Rumor has it that I am not alone in my suspicion that The
Illustrious Academy is 85 percent full of crap.
So with
Ellen DeGeneres’ opening, and Martin Scorsese’s closing, I’d say an
impressively boring night was, at the very least, well book-ended. And
to those who made it through this convoluted review, I can only hope
that it was easier to stomach than the Gore-ified Oscar marathon I
endured tonight.
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