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August 20, 2008
DVD REVIEW: My Blueberry Nights Beautiful, But Bizarre
By
Stephen Silver
My Blueberry Nights, now out on DVD, represents a fascinating but not altogether successful
transition to the U.S. and English for the noted Hong Kong director Wong
Kar Wai. It's a beautiful, although sometimes maddening film, which is
certainly at its best in its opening location in New York, but starts to
lose its way once the protagonist goes on the road.
The multiple
Grammy-winning singer Norah Jones, an acting novice, makes her film
debut as Elizabeth, a young woman who has just had her heart broken by a
boyfriend. Upon finding out that the boyfriend had eaten in a New York
cafe with another woman, Elizabeth confesses her heartache to the cafe's
owner, Jeremy (Jude Law.) She returns to the cafe many times to eat
blueberry pie (hence the film's title) before leaving town.
Elizabeth then takes
off, by bus, for points elsewhere, first visiting Tennessee and later an
unnamed West Coast gambling town. Using different versions of her name
in the different towns ("Lizzie," "Beth") she encounters such characters
as a local drunk (David Strathairn), his angry estranged wife (Rachel
Weisz) and a young gambler (Natalie Portman).
The New York segments
are by far the film's strongest. I have no idea how much time Wong Kar
Wai has spent in New York, but he's totally nailed what it feels like to
sit in a Manhattan diner at 2 in the morning – the music, lighting and
even the conversation are all nothing less than perfect.
The other two segments
of the movie aren't quite bad. They're just less than impressive, with
Weisz given little to do except yell and cry, and Strathairn not quite
giving his best performance either. Portman, meanwhile, is given one of
the more unfortunate wigs in recent cinematic history.
Jones, despite never
having acted before, does just fine in the lead role. She's got enough
performing chops from her singing career, and is able to convey all of
the emotions inherent to the role. Her music is also prominent on the
soundtrack. In one scene, she acts while one of her songs plays over
her. Another singer-turned-actress, Chan "Cat Power" Marshall, also
makes her acting debut, although it's sort of hard to figure out why her
scene (with Law) is even in the movie.
Wong Kar Wai's Hong
Kong films, most notably 2000's classic In the Mood For Love,
have been about small moments and quiet relationships between two
adults, and while the American version isn't quite the same success –
the film was barely released in the U.S. and earned less than $1 million
at the box office – I'm still glad he gave it a try, for My Blueberry
Nights, at its good points, ranks with the best cinematic material
of the year.
Rating: 3 stars (out of
4)
© 2008 North Star Writers
Group. May not be republished without permission.
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