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January 16, 2008
DVD REVIEW: Is ‘Shoot
‘Em Up’ Real Action or Comic Farce?
By
Stephen Silver
Action movies get a bizarro reworking in “Shoot ‘Em Up,” a pseudo-parody
of various action genres directed by Michael Davis that’s new to DVD
after a blink-and-you’ll-miss-it run in theaters last fall. The movie is
action-packed at times and side-splittingly
hilarious at others,
but nearly impossible to take seriously.
Like such recent actioners as 2006’s “Lucky Number Slevin” and last
year’s “Smokin’ Aces,” “Shoot ‘Em Up” is a throwback to the Quentin
Tarantino rip-offs that dotted the film landscape throughout the
mid-‘90s. And like those other films, it’s considerably difficult at
times to tell whether the primary objective of “Shoot ‘Em Up” is to
function on its own merits as a legitimate action film, or as a parody
of such.
The film’s hero is Mr. Smith (Clive Owen), a mysterious urban adventurer
who is introduced in a warehouse fighting off villains – get this –
while delivering a mysterious woman’s baby. The villains, who want the
baby dead for mysterious reasons, are led by a nerdish gangster (Paul
Giamatti), and Smith, aided by a wet nurse/prostitute (Monica Bellucci),
must fight the bad guys and get to the bottom of the mystery – with the
baby in tow at all times.
The action is certainly excellent throughout, evoking a John Woo-style
ballet of violence, especially in an elaborately choreographed scene
involving a staircase filled with the villain’s henchmen. There’s also,
in the tradition of “MacGyver,” some creative use of nontraditional
props as weapons, including a hand drier, carrots (multiple times!), a
pulley system that shoots guns in a circle and even various baby-related
implements of destruction.
At
the same time, the use of certain well-timed puns and catchphrases is so
ridiculous that there’s no way it could possibly be meant in a
non-tongue-in-cheek way. Some lines are so cringe-inducing that even
James Bond would smirk at them. The plot, meanwhile, is nonsense,
tossing in a conspiracy theory that involves a science experiment and
even ensnares gun lobbyists and a presidential candidate.
Constantly munching on carrots a la Bugs Bunny, Owen gives his usual
dynamic lead performance, having no trouble commanding the screen –
although it’s not nearly as ambitious a movie as “Children of Men,” the
last film when Owen was entrusted with the care of a very important
baby. Bellucci is less impressive. Like Penelope Cruz before her, she
seems to have a great deal of trouble acting in English.
Which isn’t to say that “Shoot ‘Em Up” is lacking in lofty goals. The
implausible action blowouts just keep topping themselves. The film
begins with the movies’ first-ever birth-based shooting sequence, later
doubles down with a shootout/sex scene, and completes the trifecta with
a gun battle . . . set in mid-air, as Owen and multiple villains
parachute out of a plane.
On
top of that, the movie manages to toss in just about every action movie
cliché of the past two decades, everything from the Villain Who Isn’t
Really Dead to the Unlimited Supply of Henchmen to (of course) Roger
Ebert’s Fallacy of the Talking Killer. “Shoot ‘Em Up” rivals “Hot Fuzz,”
also from last year, when it comes to how many different movies it
parodies and/or steals from. The ending, meanwhile, should gladden all
the Tarantino fans who are still disappointed that Samuel L. Jackson got
out of the diner scene by talking rather than shooting.
Extras are sparse, with merely one commentary (by Davis), a
beside-the-point making-of documentary, and a couple of deleted scenes
that were clearly deleted for a reason.
Three stars (out of five).
© 2008 North Star Writers
Group. May not be republished without permission.
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